The The Kiss Of Lady X
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Gustav Klimt depicts the couple locked in an intimate embrace against a gold, flat background. The two figures are situated at the edge of a patch of flowery meadow that ends under the woman's exposed feet. The man wears a robe printed with geometric patterns and subtle swirls. He wears a crown of vines while the woman wears a crown of flowers. She is shown in a flowing dress with floral patterns. The man's face is not shown to the audience and instead, his face is bent downward to press a kiss to the woman's cheek, and his hands are cradling the woman's face. Her eyes are closed, with one arm wrapped around the man's neck, the other resting gently on his hand, and her face is upturned to receive the man's kiss.
Starring Jenna Ortega (the star of The Fallout and You) and Brittany Snow (of Pitch Perfect 3 fame), the titillating movie posits a form of intergenerational conflict as the root cause of a string of ghastly murders. Who plays the old lady, aka the old woman, aka Pearl
Pearl first sets her sights on the porno director RJ (Owen Campbell), attempting to kiss him before stabbing him to death. Next up: producer Wayne (Martin Henderson), who gets the pitchfork treatment. Pearl quite literally throws porn actress Bobby-Lynne (Brittany Snow) to the alligators as well. All things considered, she racks up quite the bodycount, eliminating at least half of the film crew in one fell swoop.
The painting represents a couple from the Middle Ages, embracing while they kiss each other. It is among the most passionate and intense representations of a kiss in the history of Western art. The girl leans backwards, while the man bends his left leg so as to support her, simultaneously placing a foot on the step next to him as though poised to go at any moment. The couple, though at the center of the painting, are not recognizable, as Hayez wanted the action of the kissing to be at the center of the composition. In the left part of the canvas shadowy forms lurk in the corner to give an impression of conspiracy and danger.[3]
This painting has been regarded as a symbol of Italian Romanticism, of which it encompasses many features. On a more superficial level, the painting is the representation of a passionate kiss, which puts itself in accordance with the principles of Romanticism. Therefore, it emphasizes deep feelings rather than rational thought, and presents a reinterpretation and reevaluation of the Middle Ages in a patriotic and nostalgic tone.[4] Some art historians also suggest that one of the political meanings that Il Bacio can carry is that a young Italian soldier, going off to fight for Italy against the Austro-Hungarian Empire, says goodbye to his love kissing her for one last time.[5]
Fresh from the revelry at a Childs on 49th, George Mendonsa and his new girlfriend, Rita Petry, made their way down Times Square toward the 42nd Street subway station. Rita fell behind George by a few steps. Meanwhile, Eisenstaedt persisted in his hunt for the photo. After traveling a block or so up Times Square, he took notice of a fast moving sailor who he thought he saw grabbing a woman and kissing her. That sailor was heading quickly south down Broadway and 7th Avenue. Wondering what he might do next, Eisenstaedt changed direction and raced ahead of the darting sailor. To avoid bumping into people in the crowded street, he had to look away from the sailor he was trying to track. He struggled to regain his focus on the Navy man wearing the formal Navy blue uniform. As he did so, Greta looked away from the Times zipper and started to turn to her right. George crossed the intersection of 44th and 7th Avenue, lengthening the space between him and Rita. The photographer, the sailor, and the dental assistant were on a collision course.
Just a kiss on your lips in the moonlightJust a touch of the fire burning so brightNo, I don't wanna mess this thing upI don't want push too farJust a shot in the dark that you just mightBe the one I've been waiting for my whole lifeSo, baby, I'm alrightWith just a kiss goodnight
Just a kiss on your lips in the moonlightJust a touch of the fire burning so brightNo, I don't want to mess this thing upI don't want push too farJust a shot in the dark that you just mightBe the one I've been waiting for my whole lifeSo, baby, I'm alrightWith just a kiss goodnight
Just a kiss on your lips in the moonlightJust a touch of the fire burning so brightNo, I don't want to mess this thing upI don't want push too farJust a shot in the dark that you just mightBe the one I've been waiting for my whole lifeSo baby I'm alright
Hemptinne et al. (2000) developed the social feeding hypothesis as another, non-mutually exclusive, explanation of how laying eggs in clusters might improve larval survivorship. The premise for the social feeding hypothesis involves the chemical E-β-farnesene, that aphids will secrete when under attack from apredator and that functions as an alarm pheromone (Bowers et al. 1972). Lady beetles can use E-β-farnesene as an olfactory cue to locate aphids (Obata 1986; Hemptinne et al. 2000; Mondor and Roitberg 2000; Francis et al. 2004). Hemptinne et al. (2000) further showed that the movement of lady beetle larvae toward an aphid that has been captured by another larva can result in several larvae feeding on a single aphid. They then hypothesized that that larvae from clusters with many siblings are more likely to survive than larvae from smaller egg clusters due to the mutual olfactory attraction to captured prey, lessening the burden on the individual larva to make a successful capture. Hemptinne et al. (2000) wrote that a key prediction of the social feeding hypothesis needs testing, specifically that larvae hatching from eggs in clusters have a greater per capita chance of survival than larvae hatching from eggs laid singly.
Experiment C introduced freshly hatched A. bipunctata to a plant hosting an initial surplus of aphids, and was replicated 34 times. To provide larvae for this experiment, adult female A. bipunctata were kept inside paper condiment cups that provided a surface upon which they oviposited. Once larvae hatched from the eggs in a cluster, but prior to their dispersal, the area of cup holding the cluster of emerging larvae and unhatched eggs was cut from the remainder of the cup. The piece of cup holding the cluster was then glued tothe underside of a leaf of the fava bean plant using Elmer's Glue-All. Then, the number of hatchlings and unhatched eggs was recorded. Pea aphids were added to the plant in a ratio of eight aphids per A. bipunctata hatchling. This treatment was designed to mimic the typical field conditions of adult female lady beetle oviposition, and subsequent larval dispersal (Wratten 1973). Multiple regression was used to evaluate whether the initial number of larvae and the proportion of eggs that hatched affected larval survivorship in the trials. The proportion of eggs that hatched and larval survivorship were logit transformed to better meet the assumptions of linear regression.
Our findings support previous work on the mechanistic basis for the social feeding hypothesis, which depends upon observations of coccinellid larvae using chemical cues to locate potential prey (Obata 1986; Hemptinne et al. 2000; Mondor and Roitberg 2000; Francis et al. 2004). In pairwise comparisons to controls (air that was free of aphid cues), A. bipunctata larvae oriented toward crushed aphids, and toward aphids being eaten by conspecific larvae (Hemptinne et al. 2000). In the current study, when larvae were given a three-way choice betweeen crushed aphids, crushed aphids with larvae, and a control, larvae preferred crushed aphids and crushed aphids with larvae equally (Experiment A; Figure 2). Thus, the presence of conspecific larvae did not alter the attractiveness of crushed aphids to first instar A. bipunctata. Multiple cues might have influenced larval behavior in this assay. For example, the larvae might have been attracted toward areas with greater relative humidity, as has been documented in other insects (Rebora et al. 2007). Another limitation of the assay method used was that test larvae did not come into direct contact with surfaces that had been previously walked upon by other larvae. While first instar A. decempunctata do not appear to avoid their tracks (Dixon 1959), trails left by larval lady beetles deter conspecific larvae on certain substrates (Rutledge et al. 2008).
The highly simplified arenas used in Experiment B might have obscured important factors allowing social feeding to improve the survival of A. bipunctata larvae. First, because only a single aphid was supplied in each arena and the number of capture successes was high, it was difficult to isolate a larval density that could most promote social feeding. Similarly, because the probability of capturing one aphid cannot exceed 100%, testing for a potential curvilinear (non-additive) effect was impaired. Finally, plant surfaces can provide additional cues that affect the outcomes of interactions between lady beetle larvae (Rutledge et al. 2008). Thus, Experiments C-G on individual plants were used to further examine the effects of the initial density of larvae on their survivorship.
This lady was full of the praises of the head-tenor who had performed in a Wagner opera the night before, and went on to enlarge upon his old and prodigious fame, and how many honors had been lavished upon him by the princely houses of Germany. Here was another surprise. I had attended that very opera, in the person of my agent, and had made close and accurate observations. So I said:
Busty stepmom Mindi Mink helps her stepdaughter Dolly Leigh to recover from sickness. Mindi gets horny and starts kissing Dolly passionately. After that, Mindi licks Dollys wet pussy and in return Dolly does the same to Mindi. 153554b96e
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